by Bryn Chernoff Starting at Tokyo’s Mori Art Museum in 2006, Cameroon-born artist Bili Bidjocka and Lausanne-born curator Simon Njami have been traversing the world inviting creatives of varied professional backgrounds to write on the blank pages of eight enormous books “as if it were their the last opportunity to hand write something.” Their project, called Ecriture Infinie, emphasizes the gestures of writing and the …
Ecriture Infinie
