With his wonderfully imaginative architectural “photomontages,” artist Filip Dujardin addresses questions of what might have been and what’s still to come. Pulling solely from his extensive archive of his own photographs of buildings, urban spaces and landscapes, the Belgian artist dissects and meticulously reassembles images—with the assistance of computer retouching—to create an augmented reality of near-believable structures in bizarrely complementary environments. Dujardin’s second solo exhibition …
(dis)location
