Combining luridly hand-drawn animations, paintings, mechanical sculptures and more, 2009 Guggenheim Video Art Fellow Federico Solmi continues to explore his controversial interests in sociopolitical affairs—last year his native Italy charged him with obscenity, blasphemy and offense to religion—in his second solo exhibition "From Uterus to Grave With No Happy Ending," which opens tomorrow at NYC's LMAK gallery. The entrance to the show, marked with a …
Federico Solmi: From the Uterus to the Grave with No Happy Ending
