Cool Hunting Video: Mark Mothersbaugh’s Synth Collection

A glimpse into electronic music's beginnings and the future of the artistic process with the legendary DEVO frontman

The bright green, circular building of Mutato Muzika in Los Angeles is easy to spot when cruising down Sunset Boulevard. But most people might not realize it contains the creative hub of Mark Mothersbaugh, a founding member of DEVO turned award-winning Hollywood composer. Famous for his use of the synthesizer, Mothersbaugh has accumulated a vast collection over the years. We had the chance to check …

A Conversation with Composer Cliff Martinez

The brains behind the film music for Solaris, Drive and Spring Breakers on his newest bloody project with Steven Soderbergh and more

A Q&A with film score composer Cliff Martinez at Moogfest this year attracted a mix of curious festival attendees and die-hard fans—many of whom cared much more for Martinez’s dark, ambient scores than the actual movie plots. The regular Steven Soderbergh collaborator (“Sex, Lies and Videotape,” “Traffic,” and “Solaris”) has reached even more prominence lately since scoring critically acclaimed films such as Nicolas Winding Refn’s …

Sundance 2014: Kathryn Bostic

The composer of festival favorite "Dear White People" discusses her work and the film

A good score can unite a film, subtly enhancing key moments with flourishes to emotional beats or linking transitions elsewhere. There’s a refined balance between making the music powerful enough to be felt and resonant, while providing something in service to one of the most collaborative creative processes—filmmaking. Musician Kathryn Bostic—a singer/songwriter and composer for stage and screen—mastered the craft and has demonstrated this with …