Lee Friedlander’s seminole 1992 monograph, “The Jazz People of New Orleans, Playing for the Benefit of the Band,” has been re-released in an expanded edition available through Fraenkel Gallery. With more than …
Imitation is the sincerest form of flattery. Art scholars might argue that concept, not flattery, was at the root Elaine Sturtevant’s work, in which she manually copied pieces by pop artists ranging …