Italian photographer Renato D’Agostin creates haunting black-and-white portraits that capture a city’s essence in serenely abstract form. The budding lensman began shooting these fragmented narratives in 2001, and has since published two books, “Metropolis” and “Tokyo Untitled,” before taking his approach back to his home town of Venice, the subject of his latest series, “The Beautiful Cliché.” D’Agostin’s images are emotional without seeming preciously nostalgic …
The Beautiful Cliché