Slightly obscured by the glare of the gallery’s impossibly tall and tinted windows, the lines of Robert Currie’s wiry, site-specific installation stretch toward the entrance of Bryce Wolkowitz Gallery. Unassumingly elegant, Currie’s sculpture looks untouched by human hands, but like a majority of the work shown in the Chelsea gallery, the veneer of flawless execution masks careful engineering. It is this seamless blend of art …
Charged: Moving Art Forward with Bryce Wolkowitz