In 1980, a subway car sped through the Bronx completely covered in the work of Futura (the pseudonym of graffiti writer Lenny McGurr, formerly Futura 2000). It was another breakthrough for the artist—and the art form, as it was an exploration of unmatched proportions, all the while void of a traditional tag. Futura eschewed the medium’s font-forward styles for abstraction and, in doing so, helped …
Interview: FUTURA’s Decades of Kinetic Art + Meaningful Collaborations
