Sighthouse

Repurposed projectors, stereoscopic photographs and light play in Jonathan Bruce Williams' debut exhibition

Walking into the gallery space, the whirr of two continuous projectors greets guests alongside indistinct color images that shower the room from a twirling projector. Every few seconds, four snaps are heard corresponding with sequential flashes of light. The interior is dark and filled with a thin smoke that emanates from the tower of the main installation, giving the space the atmosphere of a film …