by Stefano Caggiano We currently live in a world surrounded by varied design, and people commonly appreciate peculiar features that work together as opposing aesthetics. But in the past, when coherence and rationality were keys to any solid example of modern design, contradictory stimuli and experimental concepts were considered unacceptable. That is, until the ’70s when a group of visionary Italians sought to inject irrational …
New Alchemies