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One of Aretha Franklin's best performances, a glittery Sade remix, and plenty more new music this week

MOORS feat. tUnE-yArDs: Mango

If “Mango” affirms anything, it’s that Lakeith Stanfield has mastered more than one craft. The track sees the acclaimed actor partnering with music producer HH (Hrishikesh Hirway), under the moniker MOORS, and the result is electrifying. tUnE-yArDs features on the song, amplifying the magnetism and underlining the strange magic of it all. Visual artist ruffmercy directed the video, which incorporates pop art visual manipulation that truly rounds out the experience—which tUnE-yArDs’ Merrill Garbus is quick to point out is, in fact, altogether weird.

Locksley: Black Ajax

From Forward, the first full-length album released by NYC-based Locksley in nine years, “Black Ajax” marries many beloved indie-rock styles from the last decade to great effect. It’s a bit flashy, a bit rollicking and undeniably catchy from the beginning. As for the 15-track album, it’s really a compilation of work from years’ worth of their recordings that never made it onto other albums, assembled by Nick Stuart. It’s as lovable as the track and the band’s many memorable performances at CBGB just prior to the iconic venue’s closing in 2006.

Sade: Kiss of Life (KAYTRANADA Remix)

Just about everything DJ/producer KAYTRANADA (aka Louis Kevin Celestin) touches turns to glittery gold, so it’s no surprise that his remix of Sade‘s sublime “Kiss of Life” is a bop. The song (from 1992’s Love Deluxe) has been given KAYTRANADA’s signature infectious, dance-floor-ready touch—which doesn’t take away from the original’s groove. He also shared a rework of A Tribe Called Quest‘s “Midnight” (from 1993’s Midnight Marauders) as well as two new original tracks.

Cat Power feat. Lana Del Rey: Woman

The final song recorded for—and the second song released from—Cat Power’s forthcoming album Wanderer, “Woman” floods the ears with a bluesy beating heart. Lana Del Rey guests on the track, underlining Chan Marshall’s mantra-like repetition of identity. Visuals come from Greg Hunt, and focus on several beautiful performances of the song. The album will be the first release from Marshall in six years—and all early indicators point to one that will be both powerful and sonically diverse.

Aretha Franklin: Live on Midnight Special 1976

A true icon, Aretha Franklin passed away this week at 76 years old. Winner of countless awards, Franklin was a legend not just because of the accolades she achieved, but for the way she made her audiences feel. While her vocals can seem, at times, effortless, there’s such emotion and power driving them that listeners can’t help but feel their heart swell. Born in Memphis and raised in Detroit, Franklin thrilled audiences and broke boundaries (especially for black Americans) over her half-century career—and was declared a national treasure. The Queen of Soul gave countless phenomenal performances—and this electric 20-minute bonanza for Midnight Special in 1976 is one of the best. The legacy she leaves behind—musical and political—will continue to impact all of us.

Peluché: Figure Me Out

Recorded straight to tape during the band’s second take, “Figure Me Out” dances with an escalating instrumental frenzy. Synths and drums dart in, out and around the steady, repetitious vocals and groovy bass of the Peluché song. The London trio dots the track’s momentum with sonic quirks and jangles. This is the first glimpse at music from Unforgettable, Peluché’s debut album, out 28 September.

Guerilla Toss: Green Apple

With their latest single, “Green Apple,” the members of Guerilla Toss seem to be employing some form of kaleidoscopic songwriting—instruments tumble in and out as colorful sonic shapes form and fall back into pieces. Amidst all the chaos (and discord really) nothing feels outside of the realm of the song. It’s lovable world, fully-formed and catchy. Even as the weirdness ramps up and up, the vocals and synths endear until the very end.

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From mind-bending Aphex Twin to a sublime song by Diana Gordon, plenty of new music this week

Aphex Twin: T69 Collapse

From digitally-dressed Cornish architecture to throbbing manipulations of space and time, the Weirdcore-directed music video for Aphex Twin’s brilliant “T69 Collapse” swirls together various realities. As a visual accompaniment to the new track, it’s a true rhythmic partner. As a stand-alone work of art, it leaves a trail through layer after layer of allusion and reference. Both the video and underlying track offer a wild ride through the imagination of Aphex Twin (aka Richard D James) and it’s one that audiences, inside and out of his devout fan group, will have fun trying to decipher.

Diana Gordon: Thank You

Diana Gordon is back. A self-described “breakdown” in 2016 sparked change, Gordon was largely reclusive for the following year. No, she never “left”–she penned a few of the most famous lines on Beyonce’s Lemonade–but after experiencing largely commercial success under a different moniker, Wynter Gordon, she felt it was time to be truer to her roots. Though not a single from her new EP, “Thank You” is a vulnerable anthem about finding inner strength. Gordon’s roots are in R&B–penning hits for Mary J. Blige and Jennifer Lopez–and she feels, and sounds, at home in the genre’s soundscape. Her self-released EP, Pure, is out now.

Matthew Dear: Bunny’s Dream

Matthew Dear has been releasing new tracks from his upcoming Bunny LP (out 12 October) for over a year, and today two more: “Echo” and “Bunny’s Dream.” The genre-spanning DJ/producer/vocalist once again blends pop and minimal electronic in the deliciously slow-burning seven-minute “Bunny’s Dream.” The song ebbs and flows effortlessly, punctuated by Dear’s echoing baritone and glitchy effects—the result being a sultry, synth-heavy, ultimately uplifting tune. Available for pre-order at Ghostly now, Bunny will  be offered in a rainbow-splattered vinyl option.

A-Trak + Todd Terry: DJs Gotta Dance More

Two famous figures in DJing and productionA-Trak and Todd Terrycombine forces on “DJs Gotta Dance More.” In an ode to “the good old times” when DJs struggled to break onto the scene, Todd Terry tells tales of annoying his mother with his music, crate-digging, and finding one’s own style. The result is a funky spoken-word house hit. It’s out now on A-Trak’s label Fool’s Gold Records.

Tyler, The Creator + Kali Uchis: See You Again

Tyler, The Creator has just released the self-directed (under moniker Wolf Haley) video accompaniment to Scum Fuck Flower Boy standout “See You Again,” featuring Kali Uchis.  The video is a jubilant, cinematic portrayal of the song’s duality—loud but carefully orchestrated. Though the song isn’t new, the video breathes new life into the tune that dropped just over a year ago; and, as the first minute of another of Tyler’s tracks “Where This Flower Blooms” closes out the video, his artistic vision comes full-circle as a swarm of bees—the focal point of the album’s cover—fades the screen to black.

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Matthew Dear: Bunny’s Dream

Matthew Dear has been releasing new tracks from his upcoming Bunny LP (out 12 October) for over a year, and today two more: “Echo” and “Bunny’s Dream.” The genre-spanning DJ/producer/vocalist once again blends pop and minimal electronic in the deliciously slow-burning seven-minute “Bunny’s Dream.” The song ebbs and flows effortlessly, punctuated by Dear’s echoing baritone and glitchy effects—the result being a sultry, synth-heavy, ultimately uplifting …

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A beautiful tune by Blood Orange, mesmerizing music from Muna Ileiwat and more

Muna Ileiwat: Baby Hypnotic, methodic and measured, London-based Muna Ileiwat’s “Baby” is a slow-burning tune that builds beautifully—layer upon layer. With a sharp staccato rhythm at times, the song is balanced with Ileiwat’s smooth and seemingly effortless vocals. VRWRK: Different Crowd London electronic trio VRWRK offers another taste of their forthcoming debut album On The Outside with the video for “Different Crowd.” From the sun …

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Electronic, synthpop, neo-classical and more in this week's musical wrap-up

Wild Nothing: Partners In Motion From Wild Nothing’s fourth album Indigo, set for release in August, comes “Partners in Motion” which blends ’80s new wave influences with gauzy dream-pop and flawless contemporary production styles. The result is rich, but hazy, and ultimately, dynamic. Wild Nothing will be touring the new record across the US in October. Polo & Pan: Canopée Stepping up to the challenge …