With the artist Marisol Escobar as his first example, Washington Post writer Sebastian Smee argues that retrospectives in national and prolific establishments remind the zeitgeist of great artists—and women have been under-serviced. Marisol, who went solely by her first name when exhibiting, was a Warhol contemporary and highly sought-out in the ’60s. Her shows were swamped and she accumulated much acclaim. No major institution has …
Women Artists Lost to Museum Archives