by Eva Glettner
Seattle-based Michael Leavitt might be a college dropout (he quit Brooklyns Pratt Institute of Art as a freshman, despite his a 4.0 GPA) but that, by no means, has meant he’s a failed artist.
His “Art Army” project is just that; several handmade, one-off action figures for adultsfeaturing Tom Sachs dressed as an astronaut, Jeff Koons with balloon limbs and Yayoi Kusama in all her polka-dotted glory. His “Empire Peaks” project boasts historical and cultural references blended with Star Wasa very heroic Abraham Lincoln as Han Solo, while Kim Jong II features as Jabba the Hutt. Leavitt also dabbles in creative endeavors spanning trading cards, wedding cake toppers, screenprints, boardgames and ceramicseven an Elton John-themed toilet seat.
Recently, we discovered yet another of his many talents: his cardboard sneaker creations. As part of his “Hip Hoprojects,” Leavitt takes an everyday material to replicate an everyday itembut the result is pretty impressive. The artist spoke with CH about his motivation, his process and everlasting love of sneakers.
Why did you choose shoes as your subject?
Shoesare themost ubiquitous, intimatedesign object thatwefashion for ourselves. Cars, houses and other material accoutrements areimportant to our identity, but our clothing is the mostintimate. We’re stuck with it on our bodies all day long. Shoes even more so because theaesthetics cutacross gender roles. Many might hesitate to admit that they really care what their clothes or shoes look likeespecially a lot of guys.(I’m one of them.) But, like it or not, our shoesdefinewho we are to the world outside our brains.
Your other objects are made from wood, clay and more sturdy materials, can you explain why you make your kicks from cardboard?
Canvas and oil paints arepricey; traditionalsculpture materials andtools are pricey. Sculpting with garbage is about as cheap as it gets. Itallows me to experiment at will.
Cardboard gives you creative freedom?
The trial and error has barely any consequences. I try to create the right shape and form and if a particular piece isn’t right, I just trace it out on another piece of cardboard and toss it. Tonsof students all over the worldcasuallyask me to teach them how to make a cardboard shoe when confronted with the project in school, and 99% of them get hung up on the fear of failure. This fear cripples the motivation to experiment. Understanding the disposability of a material affords an artist near totalfreedom.
How difficult is it to manipulate the cardboard?
Manipulating a material is somewhere between control and experimentation. Cardboardisincredibly easy to experiment withcontrolling itis just as hard as any other medium. Painters spend lifetimes learning to control oil paint, sculptors apprentice for decades to learn their craft. Just because cardboard is cheap and available doesn’t mean it’s readily available to bend at will. I do a lot of “conditioning”I rub it on a table edge, press wood tools into it, crumple it, crease it with rulers.
And you figured it all out through experience?
No one taught me how to do any of it. I just keep trying everything I can. I don’t quit when something doesn’t immediately go my way. If I can’t get a form to bend the way I want, I try a different tool. I step away and go for a walk, I think about it, I dream of it. Either I find a solution by trial and error and conjure a solution by sheer will. It’s all about desire and motivation. I’ve got big dreams. I work as hard as I can to not let the material world stand in my way.
Michael Leavitt’s Cardboard Kicks will be on display as part of San Francisco’s Museum of Craft & Design’s “Elevated Corrugated” show from 5 April through 22 June 2014.
Images courtesy of Michael Leavitt