Millie Turner: Night Running

London-based singer/songwriter Millie Turner has released a steady new tune, “Night Running.” With deep chords and a floating chorus, the song churns along almost reaching anthemic heights. The latter moments of the song encourage listeners to dance and sing along. It’s youthful, independent and even prophetic: “When the dark and day meet in the image of stars / is where we’re gonna find out who we …

Yaeji: One More

Super-talented singer/songwriter/DJ/producer Yaeji (aka Kathy Yaeji Lee) has released yet another hypnotic track that blends classic 4×4 house with pop sensibilities. “One More” is a lush, layered song with Korean and English lyrics that are part spoken, part sung and part whispered. Yaeji keeps her listeners beguiled from beginning to end. Yaeji is currently touring the USA and Canada, and will head to Australia in December.

Listen Up

Fast-paced dance, reflective hip-hop, a sublime rework and more in our weekly musical wrap-up

Empress Of: Love For Me

Empress Of (aka Lorely Rodriguez) is preparing to release her second full-length album Us—the follow-up to 2015’s Me—and has just dropped the super-catchy “Love For Me.” The track, co-produced by the duo DJDS (Jerome Potter and Sam Griesemer), is sweet and dreamy. And, like most Empress Of tunes, it’s infectious—warranting repeat listens. Her new album will be out 19 October on Terrible Records.

MØ: Imaginary Friend

Ahead of her sophomore album Forever Neverland (out 19 October on Columbia Records), singer/songwriter (and frequent Major Lazer and Cashmere Cat collaborator)  released a fast-paced single titled “Imaginary Friend.” The track, produced by Illangelo, is sure-fire proof that MØ can turn any track into a solidified, unique dance tune. Her voice, at times more an instrument than an accompaniment, resonates emotionally and seems more irreplaceable than most electro-vocalists. On this one she sings, “Just watch me / watch me with your hands / let my body be your brail / I’ll be your imaginary friend,” while the sounds of a harp, a ticking clock and rhythmic bass embody the background.

Brockhampton: Tonya

Brockhampton, a multi-member rap group forged from the chatroom of a Kanye West fan site, just released their major label debut, Iridescence. After dropping a string of album-like mixtapes, this work comes amidst a turning point. Their most outward-facing member was dropped amidst abuse allegations; they signed to RCA Records; they battled with promising to hopeful fans about whether an album on a major label could carry the same youthful, and at times rootless, energy that their early releases did; they grappled with the fact that with the departure of their (arguably) most talented member, sonic space needed to be filled. “Tonya,” the second-to-last track on the album is a wonderfully woeful, piano-backed track about regret, self-worth and letting down those closest to you. In the first minute of the track, a direct reference to the tale of Tonya Harding, group member bearface raps: “There’s no money on my mind, but my money or my mind, what’s the first to fall?”

St Vincent: Slow Slow Disco

Stripping away all the original synths to effortlessly morph her track into a piano-led ballad, St Vincent has offered up yet another version of her glorious “Slow Disco.” The song—from 2017’s MASSEDUCATION—has been renamed “Slow Slow Disco” and it’s a seductively melancholic take. St Vincent (aka Annie Clark) says, of her rework, “Songs are living things. They grow, they evolve, they change their moods and personalities over time.”

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